Created in 2014, Carpe Diem Emmie is a Midlands based Lifestyle, Theatre and Travel blog. Ran by Emmie, a 28 year old woman based in rural Leicestershire.

In the day Emmie works in a primary school where she is passionate about inclusion and mental health. In the evening she escapes to the cultural world.

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REVIEW | White Christmas, Curve Theatre

60 Rutland St, Leicester LE1 1SB, UK

White Christmas
Curve Theatre, Leicester 

The 1954 film White Christmas will most definitely be shown sometime this Christmas and it's one of those traditional Hollywood type musicals that is a firm favourite with many. Curve Theatre armed themselves with the tasks of recreating the production 18 years after the first stage musical. 

The plot for me was quite loose, there wasn't much to it but enough to be an enjoyable night at the theatre, especially if you're after something to fill your festive void. The story begins in 1941where America enters the Second World War and where army friends Bob Wallace (Danny Mac) and Phil Davis (Dan Burton) entertain their fellow comrades and adored General Henry Waverly (Garry Robson) with a downbeat show. 

It's not long before we hot-foot it to Christmas 1954. Bob and Phil are now a successful double act in showbiz and as they prepare to travel to Florida they encounter performers and sisters Judy and Betty Haynes who are travelling to Vermont. Phil and Judy quickly hit it off but Phil's womanising ways will mean that their plans are quickly changed. However, there isn't much hope for Bob and Betty but don't worry, they'll fall in love with one another by the end of Act One. Judy (Monique Young) and Betty's (Emma Williams) new performing gig just so happens to be at a venue run by the now-retired General Waverly. Bob and Phil's past just so happens to be catching up with them. Things aren't going well for the venue despite the best efforts of his concierge Martha Watson (Mae Brown). Thanks to Phil and Bob's efforts they gather cast and crew for an unforgettable special show that will save the day on Christmas Eve.

There's a subtle use of drama within the plot too that enables the plot to develop.

What Curve has created with this production is a festive masterpiece. The female leads are astonishing and equally wonderful to watch. Emma Williams is stellar as Betty Haynes, she is such a joy to watch and it's nice to see her return as a leading lady once again at one of Curve's homemade production. Particularly when she expresses the songs in the way she does that is unlike any other performance I've ever seen. Betty's sister Judy stands out for me when performing 'The Best Things Happen When You're Dancing' recreating one of the most iconic scenes from the show. It gives a real wow factor in the theatre and something that you won't be able to keep your eyes off! It was mesmerising from beginning to end. 

The numerous ensemble numbers in White Christmas enables the Choreographer Stephen Mear to really show off the best of his creative juices. He went to town showcasing some gorgeous dynamics and a ballet-jazz style that suited every individual performer on the stage. 'Let Yourself Go' is really quite something alone, it's sharp and energetic with not a beat missed by the enthusiastic cast. 'I Love A Piano' really opens up Act Two immensely and enables us to see the best of Mear's work with a spectacular tap sequence that is so iconic of his choreography style. 

Collectively, there was something so distinctly wonderful about this production. The casting and re-imagining of this musical will be one of Nikolai Foster's best work yet for Leicester's theatre. 

I loved every moment of this production and the icing on the cake was the falling of snow at the finale! If you're looking for something that the grown-ups will enjoy this festive season then White Christmas at the Curve is just the ticket. 

White Christmas is performing at Curve Theatre, Leicester until 13 January. You can book your tickets here.


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